Photographs

Motivation

Following work explores the boundaries between photography and painting through constructed scenes made from paper and cardboard. Inspired by myths, memes, and memory, I use both analog and digital techniques to investigate how images are formed, interpreted, and experienced.

By combining handmade sculptural elements with photographic processes, I create compositions that blur the line between surface and space. Color, reduction, and spatial tension are central to my visual language. The resulting images oscillate between the tactile reality of the materials and the flatness of the photographic plane.

Rather than imitating painting through photography, I aim to develop a hybrid practice that reinvents how constructed images can speak across disciplines.